2023–2024 · artistic

ISEA2024 Everywhen

The International Symposium on Electronic Art, held in Brisbane, with a program across 29 venues.

The blue timber shopfront of Bent Books under a striped awning, its two windows filled with bright translucent circles, triangles and bars. — Michelle Brown, Building Heritage, Bent Books, ISEA2024. Photo: SAE alumni (names to add).

Close up of the window: overlapping translucent coloured circles, bars and a pale blue triangle over a display of books. — Michelle Brown, Building Heritage, Bent Books, ISEA2024. Photo: SAE alumni (names to add).

The words Michelle Brown, Building Heritage in rainbow lettering on the shop window glass. — Michelle Brown, Building Heritage, Bent Books, ISEA2024. Photo: SAE alumni (names to add).

Gold, violet and blue translucent shapes on the glass, with the bookshop shelves blurred behind. — Michelle Brown, Building Heritage, Bent Books, ISEA2024. Photo: SAE alumni (names to add).

My role: Producer; curator and producer of five exhibitions
Where: 29 venues across Brisbane, including SAE West End, VENTSpace, Vacant Assembly, KEPK, Bent Books and the Sir Thomas Brisbane Planetarium
With: Artists including Helen Pynor, Svenja Kratz, Robertina Šebjanič, Tiare Ribeaux, Petra Gemeinboeck, Tara Pattenden, Jenny Fraser and The Ironing Maidens
Class No.: 776 Computer art 700.79 Arts festivals, awards & financial support 707 Arts education & research

I produced ISEA2024 Everywhen across 29 venues, and curated and produced five exhibitions: Ethos, Dreaming of the Sea, Time Changes Everything // Everything Changes Time, Pale Blue Dot and Ambience. The program was co-curated with a multinational group of academics, and included stage and production management. My own work, Rainbow’s End, was also part of the program.

Behind the work

The money: A$17,000 from Creative Australia and the Goethe-Institut for the creative program.

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